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a limbo tale of Life or Death!

  • Writer: David Bithell
    David Bithell
  • Apr 2
  • 2 min read

A Matter of Life and Death

By Michael Powell and Emeric Pressburger

Adapted and Directed by Theresa Heskins.

Photo's by Andrew Billington

Review by David Bithell

 

A Matter of Life and Death, it’s a classic play that weaves within love, hope, and the afterlife. Adapted and Directed by the fantastic Theresa Heskins with acute sensitivity and a sense of whimsy, this production brings a fresh take to a tale that grapples with the complexities of life and death, making it a must-see for all theatre lovers.

 


Elliot Parchment-Morrison and Jenny Murphy
Elliot Parchment-Morrison and Jenny Murphy

From the moment the lights beam you are greeted with a live band with joyous and uplifting music that is typical of the 1940’s, the audience is enveloped in a world where the boundary between life and the afterlife is delightfully blurred. The staging is both imaginative and functional, utilizing minimalistic yet effective set designs that transition smoothly between the earthly realm and celestial settings. The lighting design deserves a special mention; it captures the play's ghostly qualities, enhancing the emotional weight of critical scenes while inviting the audience to contemplate the fragility of existence.

 

The performances from the talented actors are compelling, with the leads delivering portrayals that are both heartfelt and nuanced. The character of Peter played by Thomas Dennis , a downed pilot struggling to navigate his fate, is portrayed with an emotional depth that resonates with anyone who has faced the uncertainty of life's choices. His chemistry with June, his love interest, is palpable—infusing the play with tenderness and urgency. Their interactions highlight the play's exploration of love transcending even the darkest circumstances.

 


Michael Hugo
Michael Hugo

Supporting characters, including the charming yet enigmatic celestial figures, add to the narrative’s whimsicality, providing both comic relief and profound insights. The ensemble cast works together seamlessly, drawing the audience into moments of joy, confusion, and heartbreak, all while maintaining a rhythm that keeps the story engaging throughout. I loved the character of Judge (Alexander Bean), who’s voice reminded of Darth Vader himself, James Earl Jones. It was a perfect voice for part as a judge with authority. Crowd favourite Michael Hugo plays the part of Conductor 71 and doesn’t fail to bring laughter with his stage presence.

 

At its core, A Matter of Life and Death is a meditation on the choices we make and the consequences that follow. This production at the New Vic Theatre captures that essence beautifully, inviting the audience to reflect on the value of life and the power of connection. 

 


Thomas Dennis, Kaylah Copeland and Michael Hugo
Thomas Dennis, Kaylah Copeland and Michael Hugo

In conclusion, this reimagined classic reminds us of the importance of love and resilience in the face of adversity. With strong performances, inventive direction, and a thoughtful approach to its themes, A Matter of Life and Death is a touching and engaging theatrical experience that shouldn’t be missed. Highly recommended for both seasoned theatre-goers and those new to the stage, this production leaves a lasting impression long after the final bow.

 

A Matter of Life and Death is at The New Vic until Saturday 19th April. For tickets call the box office on 01782 717962 or by going to A Matter of Life and Death - New Vic Theatre.

 

 
 
 

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