Charming and a visually inventive festive show

Original story by Hans Christian Andersen

Adapted by Theresa Heskins

Directed by Theresa Heskins and Vicki Dela Amedume

Review by David Bithell

Photo credits by Andrew Billington

The New Vic Theatre’s Christmas production of The Little Mermaid is a joyful, imaginative dive beneath the waves, bringing Hans Christian Andersen’s classic story to life with plenty of theatrical flair.

One of the great strengths of this production is how confidently it uses the New Vic’s in-the-round space. From the outset, the stage feels alive with movement. Ropes, silks and flowing choreography cleverly suggest ocean currents and sea life, while lighting and projections help transform the auditorium into a shimmering underwater world. It’s inventive without ever feeling overcomplicated, inviting the audience to use their imagination rather than overwhelming them with effects.

The main focus of the story is Coralie, the young mermaid desperate to explore the human world.

The fantastic Rhiannon Skerritt brings warmth and energy to the role, giving Coralie a playful curiosity that makes her instantly likeable. Her physical performance works especially well in this circus-inspired setting, grounding the show’s more spectacular moments in genuine character.

Live music is woven into the production, with the on-stage band adding atmosphere and momentum. The band helps maintain the sense of magic and movement that runs throughout the show. Vocally Inês Sampaio shines as Red Whip Coral.

Visually, The Little Mermaid is beautifully done. Wonderful puppetry is used to great effect to bring sea creatures to life, and the work of the ensemble ensures there’s always something interesting happening, even in quieter scenes. Theresa Heskins' direction leans into theatrical playfulness, which suits a family-focused festive show perfectly.

That said, the emotional heart of the story doesn’t always hit as strongly as it might. The relationship between Coralie and Prince Caspian feels a little underdeveloped, and some lighter, more contemporary touches occasionally pull focus from the fairytale’s deeper themes. Still, these moments are minor in a production that is clearly more concerned with wonder and imagination than heavy emotional realism.

Overall, The Little Mermaid at the New Vic is a charming and visually inventive festive show that will especially delight families and younger audiences. It’s a refreshing reminder of how creative and magical theatre can be when it’s willing to take risks and tell familiar stories in new ways.

The Little Mermaid is at The New Vic until Saturday 24th January. For tickets contact the box office on 01782 717962.

Have a wonderful Christmas and a Happy New Year from all at A View To A Kiln.

Here's to a prosperous 2026!